![]() ![]() The delay 60 command provides plenty of time for the track to get into iTunes before we try to set its properties. My additions are Lines 16-19, which set a couple of track properties and put the track in my “Radio shows” playlist. 1: (* Audio Hijack Script *** (C) Copyright 2003-2007, Rogue Amoeba Software, LLCĢ: "set shufflable" and "set bookmarkable" lines added on 20070725ģ: "add to Radio shows" line added on 20080904 *)ġ9: add (get location of aTrack) to playlist "Radio shows"Īs you can see from the comments at the top, the script is adapted from an example provided by Rogue Amoeba. It’s a simplified version of the AppleScripts I use for the weekly programs it does everything they do but get a track listing from the show’s web page. When I want to record a one-time show, I make a copy of it and change the URL, the schedule, and the tags.Īn AppleScript called “Add Show to iTunes Radio Playlist” runs after the recording is made. I’ve set up a dummy recording session in Audio Hijack Pro called “BBC” that has all my usual settings. The stream URL will be that eight-character string appended to the end of. Just go to the page with the show’s description and copy the eight-character string at the end of the URL Since the BBC revamped its web site, the stream URLs for upcoming shows are easy to determine. In the past, I’ve always just recorded these one-off shows when I see that they’re available there was no obvious way to schedule one-time recordings of these programs because I wouldn’t know the stream URL in advance. The BBC also runs irregular programs of just one or two episodes that I like to record. I use the BBC’s Listen Again feature to schedule the recordings not when the shows are running, but late at night when I’m not using my office computer. I’ve written once or twice about using Audio Hijack Pro to record a few weekly BBC radio shows from their internet streams. Next post Previous post One-off recordings with Audio Hijack Pro ![]()
0 Comments
![]() ![]() Though the second edition was the last, Piranesi continued to print individual plates at least into the 1770s, experimenting with the printing "with regards to the effects of ink, in both extent and colour". A drawing of Plate XIII appears to be a copy of the first edition print, as yet lacking the changes made for the second edition. But there are drawings for Plates VIII and XII that are close to the etchings. Some preparatory drawings, mostly in ink wash, have survived, but for example two studies for Plate XIV in London and Edinburgh both differ significantly from each other and either state of the print (allowing for a reversal of the image between drawing and etching). īackground and creation Pietro Labruzzi's portrait of Giovanni Battista Piranesi, 1779 There is a third inscription on the stele in the foreground. RI INFELICI SUSPE, a "paraphrase from the same work". ĢND: AD TERROREM INCRESCEN AUDACIAE IMPIETATI ET MALIS ARTIBUS, from Livy's life of Ancus Martius. Inscribed below busts at top, and on the pillar at left with names of "victims punished unjustly by Nero" as recorded by Tacitus. Though untitled, they are sometimes given titles as below.ġst: ‘’INVENZIONE CAPRIC DI CARCERI ALL ACQUA FORTE DATTE IN LUCE DA GOVANI BOUCHARD IN ROMA MERCANTE AL CORSOĢnd ’’CARCERI D’INVENZIONE DI G. Piranesi seems to have been "diffident" about the reception of such unusual images, and the first edition title page does not name him as the artist, nor do most of the individual plates. Numbers I to IX were all done in portrait format (vertical), while X to XVI were landscape format (horizontal). They are capricci, whimsical aggregates of monumental architecture and ruin. While the Vedutisti (or "view makers"), such as Canaletto and Bellotto, more often reveled in the beauty of the sunlit place, in Piranesi this vision takes on what from a modern perspective could be called a Kafkaesque distortion, seemingly erecting fantastic labyrinthine structures, epic in volume. The images influenced Romanticism and Surrealism. Number XI in the series is also very similar, in reverse, to a Piranesi drawing Study for a palatial interior in the British Museum. Surviving drawings for complicated sets by Filippo Juvarra and Ferdinando Bibiena (both primarily architects) as well as others have evident similaries to the prints in their receding spaces and disappearing staircases. For the second edition in 1761, all the etchings were reworked and numbered I–XVI (1–16), with numbers II and V new etchings in the series.ĭespite being intensely personal imaginative creations, for Piranesi "a source of self-analysis and of creative release", aspects of the Carceri draw on Piranesi's early training as a set designer for the stage prison scenes were often called for. ![]() Piranesi reworked the prints a decade later, giving them second states. The first state prints were published in 1750 and consisted of 14 etchings, untitled and unnumbered, with a sketch-like look. The series was started in 1745, when Piranesi was already well-known for more conventional prints of the ancient and modern buildings of Rome. All depict enormous subterranean vaults with stairs and mighty machines, in rather extreme versions of the capriccio, a favourite Italian genre of architectural fantasies the first title page uses the term. 1745 to 1750, when the first edition of the set was published. Plates 545 x 410 mm.Series of prints by Giovanni Battista Piranesi Title page, second edition, 1761Ĭarceri d'invenzione, often translated as Imaginary Prisons, is a series of 16 etchings by the Italian artist Giovanni Battista Piranesi, 14 produced from c. 35) second state (as usual for this issue), published by Giovanni Bouchard, Rome, 1750-58 with Raccolta di varie vedute di Roma, including the title page and 94 etchings, including 48 by Piranesi, the others by Anesi, LeGeay, Duflos and Bellicard, Second Edition, published by Bouchard, Rome, 1752 Trofei di Ottaviano Augusto, with the title page and nine plates, First Edition, published by Bouchard, Rome, 1753 and two plates from Vedute di Roma ( Veduta del Tempio di Cibele & Veduta del Tempio di Giove tonante), 17, both first state (of five and six, respectively), before Bouchard's address and price all with margins, in very good condition, the double-page plates bound with wide paper guards in an 18th century Italian vellum binding, with contemporary end-papers, the binding lacking the spine and with some wear (book) The complete set of 14 etchings, circa 1749-50, on laid paper, watermark Fleur-de-Lys in Single Circle (Robison 5), a very fine, early set of the First Edition, Second Issue, printed with a light, selectively wiped plate tone, all but two plates in the first state, the Title Plate (R. ![]() ![]() ![]() Expired license can be Locked to a single computer and Rhino will run indefinitely, having lost the ability to Save/Export and load plug-ins. We like to involve users in every phase of the Rhino development process. The policy is one free 90-day evaluation license per person, per Rhino version. Serengeti, named after the largest African Savanna, is where Rhino grows. What methods have you employed to prevent users from being re-issued with trial/demo licenses after the initial period has expired? Please assume the original licenses are being served to the user automatically from a server after they register for a trial license. Serengeti (Rhino WIP) bobmcneel (Bob McNeel) June 27, 2014, 11:10pm 1. We had originally thought to limit the issue of trial licenses based on an email address provided to use when the original license is generated but now there exists the potential for users to make use of temp inbox email accounts to register for an unlimited number of licenses. If you would like to try Rhinoceros to explore the options for your practice if you are a new user, or investigate the benefits of. Latest Grasshopper for Rhino 5.0 (Windows only) Grasshopper requires the latest Rhino service release. My concern relates to the issue of trial licenses. Grasshopper is included with Rhino 6 Download. This would theoretically give them the ability to license our software for multiple trial periods, possibly inevitably. Select one of the following: Single-computer, locked exclusively on a single computer Shared on your network using the LAN Zoo Shared in the Cloud Zoo Learn more about these options. We plan to issue trial licenses (expiring after 30 days) to all users requesting a trial but question is how can we put in place a scheme which prevents users from obtaining a new trial/demo license each time the license expires. There are now three ways to license Rhino. We have successfully integrated Rhino Licensing into our C# Winforms application as per the instructions found at Īt the moment the only way to open our software is to link it to a valid license file. New option included with every toolpath dialog for selecting or changing cutter tool.We are seeking advice from anyone that has successfully implemented Rhino Licensing in a. Ball-end, flat-end, corner-end and taper-end cutters are listed separately when clicking on the tabs for choosing type of cutter.This makes it possible to change tool for existing toolpaths when using the recalculate function. New option for gouge checking when using 5-axis profiling.New option for the Between Curves function it is now possible to choose parallel or across curves.(Largest cutters at top) (3X,4X,5X and 5Xtra) The cutters are listed in order of the diameter. New option for postprocessor output from Cplane origin.Gouge checking can be "All curves", "Curve by curve" or "Off". ![]() Two new variables for the post processor.This makes it possible to set the zero point for the output by placing a Cplane. Clipping plane error when using flat cutters or corner end cutters.Post processor support for inverse time feed (G93).It is possible to get all cutters that are used and the total machining time listed in the output file. Five axis part trimming with line vectors.This was a problem especially when using flat drive surfaces. Request a 90 Day Free Trial Please fill in the required information below, and well send you details on how to activate your 90-day Rhino trial. The function is changed so the lines has to have the same direction (start point close to curve). (After 90 days, it will still work great to learn Rhino and to view Rhino and many other file formats.) Buy a license here. File name checker so it prevent users from typing cutter names that can't be saved to file.Especially when having several profile curves with a small distance between. Saving and plug-ins stop working 90 days after you download, unless you purchase. ![]() Please be aware that this is an early release of the next service release, so everything is not complete. The help file is not updated and the material removal simulator does not work as well as it will work in the final service release. If you will have trouble with the material removal simulator, just unckeck the "Draw Stock Model" option from the simulator options dialog. We had to make this prerelease as an urgent fix becuase of the problem caused by the Windows 10 update. ![]() |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |